Both texts have a set purpose and audience. These decisions reflect his agenda and aim in creating his documentary. Shakespeare instead focuses on soliloquies contrasted with interaction with other characters to show different stages of the play. The notion of ambition is central to the opening scenes of both texts and audiences are empowered through dramatic irony and narration intrusion to establish a connection with the characters.
In one scene of the play Pacino and Kimball travel to England and visit the house which Shakespeare grew up in, in hope that they would achieve some sort of epiphany of knowledge about the plays. The act of selecting characters for Lady Anne and deciding on Richard iii looking richard essays for filming highlights again the constructed nature of the documentary but also explains that intended actors and presentation is importance.
He wants to be king — Tudor Myth — had to ingratiate to the Tudor house and uphold their reign. Characterisation of Richard Richard the protagonist, played by Al Pacino in Looking for Richard is immediately established to be a deformed character.
Shakespeare presents the notion that all actions are constructed and therefore are based on deceit and lies, while Al Pacino sees actors as the owners of truth and are solely responsible for the understanding of Shakespeare and conveying his true intended purpose.
One of the key scenes depicting his want for power is when he is being the actor and discussing a few lines in the play with his assistant director, Kimball and Pacino decides to completely change the script.
Context, medium and purpose With a different context the need to present a text in a different medium arises. They explore the craft of performance, presenting two different approaches to acting and ownership of the actor. Pacino, the star actor and also director of his own film, changes character various times throughout the film.
Al Pacino uses a theme song to ease the transition from recreation of the play to discussion or voxpopuli about King Richard III. Richard, wanting power to be king. But also, the fact that he can make it into a film as well proves that they are wrong that the actor holds the power to.
Characterisation of Richard and the exploration of the craft of performance are conveyed though differing methods with a strong emphasis on the composers control and input to a work. He is challenging the authority that the British literary world has over Shakespeare.
It is important also to note the differing purposes of the two texts when considering not only links between them but also their differences.
Looking for Richard both enhances but alters the original text as it highlights aspects relevant to a contemporary audience, creating links between the two.
The fact that Richard had just killed her husband King Edward, with her still being with his coffin just makes Richard seem even more powerful as he still manages to pull Lady Anne into marrying him. Looking for Richard creates a feeling of empathy for Richard, possible through a cultural shift.
Both texts explore the characterisation of the main character Richard and how he is presented. Due to the mediums of the texts these themes are conveyed using different devices available to plays and documentaries respectively.
The changing of the historical setting was necessary if Al Pacino did not wish the change any of the dialogue. Although Richard is involved with deception, plotting and murder even against his own family the audience does not feel hatred towards the Machiavellian villain an important feature of both texts that is necessary for the success of both texts.
Shakespeare shows the journey in Richard III of Richard himself on his dark quest to becoming king by both using his literary skills and performance to attain what he wants, ultimately being power.
Al Pacino removes the importance on the prophecy: Richard in his soliloquy explains: Pacino wanting power over his film. However they find that they did not feel any epiphany or difference at all, proving again that the British do not hold all the power and knowledge over Shakespeare and his plays and that actors like himself can possibly hold more knowledge that the academics and scholars.
The influence of these themes or values however, is subject to the context of the audience.
Shakespeare as already mentioned in creating King Richard III as a propaganda piece needs to ensure the audience agrees upon his viewpoint. He aimed to charm and entertain the audience through language and the discussion of relevant issues surrounding morality, conscience and deceit.Shakespeare's 'King Richard III' and Al Pacino's 'Looking For Richard' This student studied: HSC - Year 12 - English (Advanced) Module A Looking for Richard Essay - Module A Looking for Richard Essay.
Message Body Anonymous (()) has shared a Document from Thinkswap with you. King Richard III and Looking for Richard Anonymous 12th Grade Every text is a confluence of other texts, containing parallels and fragments that give meaning and timelessness through prevalent themes that transcend generations.
Free Essay: ESSAY PLAN!!!!! Intro * Both Shakespeare’s Richard III and Al Pacino’s Looking for Richard both portray central values and ideas of the time. ESSAY PLAN!!!!! Intro * Both Shakespeare’s Richard III and Al Pacino’s Looking for Richard both portray central values and ideas of the time.
Free Essay: The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it, as a central plot driver and an. Richard Iii/Looking for Richard Essay HSC Advanced English Intro * Both Shakespeare’s Richard III and Al Pacino’s Looking for Richard both portray central values and ideas of the time.
* The texts ideas are reflected by the context of the time.Download